Patty Dukes and Circa95 Soundcloud

Morning listening at the HQ. Big ups pattydukes.tumblr.com!

Interview with Lydia Diamond

Great post from Lydia Diamond on many many things. The folks at HOWLROUND are doing something really special by hosting this kind of discourse.

thaumaturgy:

The writer of Stick Fly shares her thoughts on women of color in theater, now and to come.

WAX!

sonofnightafternight:

NPR Music has just posted a mind-blowing playlist of 78 vintage 78rpm world-music shellac discs, lovingly curated by seasoned crate-digger, restorer and compiler Ian Nagoski. It might be the single coolest thing in the history of National Public Radio. (I’m exaggerating only slightly.)

Lula, Son of Brazil. New film based on Brazilian President Luiz Inacio Lula da Silva. 

via @zuzukapoderosa

BIG loss. RIP ETTA!

telephoned:

Jazz standards have been and will continue to be telephoned by many an artist. Here’s to one of the best to do it. Thank you for your soul, Etta James. RIP

Chicana theatre titan Cherrie Moraga presents NEW FIRE at Brava.org in San Francisco. 

Burning Bridges.

despiertaa:

oliphillips:

Awesome Street Art by Pavel Puhov

*o*

(via amorycondon)

DJ Reck’s United Latino Professional’s MIX

Here’s a beautiful and powerful short film about being an other in Japan. 

curate:

Performing Naturalness. c 2008. (by Dada Docot)

3min, Experimental Documentary
Director/Editor: Dada Docot
Cameraworks: Jong Pairez
Effects: Mike Garcia
Music: Fabien Claudel, Zikweb

Statement:

Living for about four years in Japan, one Filipina has grown quite tired of the “random” questioning of the immigration police who inquire about her visa status. One day, she gets off at Shinagawa train station (the stop closest to the city’s busiest immigration office) to conduct a small social experiment. This one-time performance/experiment was constrained by the use of a single roll of 8mm film which runs for only three minutes.

A part of a series of work on space vis-à-vis mobility, the short film documents an instance of surveillance of foreigners in nothing but an ordinary day in Japan. It emphasizes that the everyday life of a migrant IS a performance. The foreign space accommodates or rejects, and as the “visitor,” you “perform” roles so that the space receives you (well).

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